FROM THE OFFICE OF STRATEGIC INFLUENCE

As a privately held company, The Office of Strategic Influence is not required to publicly report on any of its operations or activities. This blog is a faint reflection of our interests and opinions. Thank you.

~ Spinboydotcom


25 July 2007

How to Become a Pundit

  1. Dress well.
  2. Speak in quotes.
  3. Use other's crisis to accelerate your agenda.
~ Spinboydotcom










The Self-Made Pundit

Totten: Knows his hats.

One man's rise to fame as Conrad Black fell.

By Tom Barrett

TheTyee.ca

Do you dream of being a media expert? Would you like to be interviewed by newspaper reporters and TV hosts from around the world?

Sure, you say, I'd love to have my opinion sought by the well-groomed folks on TV talk shows -- but how does someone like me break into the glamorous world of media punditry?

Sometimes, it turns out, all you have to do is find a pack of reporters and start talking.

Amid the millions of words spilled over the recently concluded fraud trial of former Canadian Conrad Black, media outlets kept quoting a Chicago lawyer by the name of Hugh Totten.


Quotemeister

As the trial ground on, the ubiquitous Mr. Totten would appear daily, saying things like:

"Juries have an innate ability in the American judicial system of determining who wears the white hat and who wears the black hat.

"All these trials, whether we like it or not, always turn out to be mini-morality plays.

"The prosecution has got to be able to firmly put the black hat on all these defendants. The jury is usually pretty good at weighing the evidence and figuring out whether that's a good fit or not."

Clearly, the man gives good quote.

So how did the media find Totten? Did they, perhaps, call up a bunch of Chicago lawyers who might be familiar with the issues raised by the case?

Not exactly.


Out of the Pack

As a story in Sunday's Seattle Times explains, Totten was looking for a way to publicize his law practice, the Chicago office of the Seattle-based firm Perkins Coie.

"It's a very densely populated industry, and it's hard to break out of the pack," Totten explained.

Which led Totten to the idea of going down to the federal courthouse in Chicago and offering himself up as a talking head.

"Nearly every day, Totten went to the nearby federal courthouse for at least an hour or two; at night, he studied the case filings," the Times said.

"On days when the regular courtroom was full, Totten would go to the 'overflow' courtroom, which was video-linked to the main proceedings and was where many journalists hung out."

A lot of those journalists ended up sticking their microphones into Totten's face.

Totten's insights were carried by media outlets including Canadian Press, Reuters, Bloomberg, Fox News, ABC, NBC, CBS, CTV, CBC, MSNBC, the BBC, Global TV, the Boston Globe, the Globe and Mail, the Washington Post, the Guardian and the CanWest newspaper chain.


Brilliant Insights

Of all the commentators who offered their views on Lord Black's trial, Totten was perhaps the most articulate and reasonable. When the jury declared that it was deadlocked and other commentators began offering fanciful speculation about what this might mean for Black, Totten sensibly pointed out that "no one knows what it means."

And, unlike a number of trial observers, Totten correctly predicted that the jury would find Black guilty on at least some of the charges.

So who is Totten? Is he a former prosecutor? An expert in corporate fraud? A veteran criminal defence lawyer?

Not exactly.

He is, the Seattle Times reported, "a civil litigator who specializes in construction and design law.

"'This was the kind of case that I'd tried [before] -- complex, lots of documents, corporate-structure stuff,' Totten said before dashing off to a CBC interview about Black's pending appeal. 'As far as the criminal-procedure part, I figured I could learn.'"

23 July 2007

How to Sell an Endless War

  1. Repeat your message often enough and people will believe it.
  2. Find some memorable catch-phrases.
  3. Promise big benefits from your product.
  4. You are selling not only the product but also the problem or threat that the product is alleged to address; i.e. to sell the toilet-cleaner, you have to sell the germs.
  5. Stress that the product will not cost much.











How to Sell an Endless War

Buy Hard

By DAVID KEEN

The current Bush administration has sometimes been very frank about the need to sell the 'war on terror', and many of the elements used to sell that attack on Iraq--the intelligence dossiers, the unsourced revelations, the denigration of hard evidence, the cosying-up to prominent exiles--are now being used to sell an attack on Iran. With some 22 minutes out of every hour on US TV given over to advertising, the public is accustomed to being sold things on the promise of nirvana if they only succumb. If the Iraq debacle is anything to go by, the process can be extended--remarkably smoothly, in many ways--to selling (and buying) a war.

Andy Card, George W. Bush's chief of staff, said Congress had not been asked in August 2002 to authorise military force in Iraq because "From a marketing point of view, you don't introduce new products in August." When Colin Powell appointed a Madison Avenue advertising star, Charlotte Beers, as undersecretary of state for public diplomacy and public affairs, he explained on 6 September 2001: "I wanted one of the world's greatest advertising experts, because what are we doing? We're selling. We're selling a product democracy the free enterprise system, the American value system." This was less direct than Andy Card, but one could easily add 'war' to this list of goodies since war--particularly after the cataclysm of five days later - was the chosen way of achieving these benefits. Rampton and Stauber commented: "Rather than changing the way we actually relate to the people of the Middle East, [US officials] still dream of fixing their image through some new marketing campaign cooked up in Hollywood or Madison Avenue."

But how, exactly, do you sell a war? The usual rules of advertising seem to serve just fine.

The first rule is: repeat your message often enough and people will believe it. Adolph Hitler had already taken this insight into the political sphere: "The receptivity of the great masses is very limited, their intelligence is small, but their power of forgetting is enormous [Propaganda] must confine itself to a few points and repeat them over and over." Hitler, in fact, made the connection with commercial advertising explicit: "All advertising, whether in the field of business or politics, achieves success through the continuity and sustained uniformity of its application." In her book The Origins of Totalitarianism, Hannah Arendt noted the reliance of Soviet and Nazi leaders on repeating lies.

After 9/11, US government officials repeatedly stressed the links between Iraq and 9/11. Bush frequently linked bin Laden and Saddam Hussein in the same breath, though he was pretty tricky in the exact wording, suggesting he knew it was an artful lie. In an October 2002 opinion poll, 66 per cent of Americans said they believed Saddam Hussein was involved in the 9/11 attacks, and 79 per cent said he possessed, or was close to possessing, nuclear weapons. As late as July 2006, 64 per cent of US respondents still believed Saddam had maintained strong links to al-Qaida and 50 per cent believed he had harboured weapons of mass destruction. Reporters who interviewed US soldiers in Kuwait on the eve of the war in Iraq were shocked to find them convinced they were going to fight 'terrorists', a misconception that--as Max Rodenbeck points out - surely fed into the frequent instances of overly aggressive behaviour.

Now the official focus has switched to Iran, whose government, according to Bush, is "belligerent, loud, noisy, threatening". There were no less than five mentions of Iran in Bush's January 2007 State of the Union address and Iran is constantly in the news.

A second rule of advertising is: find some memorable catch-phrases. After Bush introduced the phrase "axis of evil" in a January 2002 speech, Woodward reported, "[Deputy Defence Secretary Paul] Wolfowitz saw once again how important it was to grab the headlines, and he was reminded that academics didn't get it. Oversimplification was required in a sound-bite culture." When Rumsfeld mentioned the concept of "shock and awe", Bush said it was a catchy notion. Another common sound-bite was the "smoking gun"--as when Bush said of Iraq's alleged weapons of mass destruction, "we cannot wait for the final proof, the smoking gun, that could come in the form of a nuclear cloud." More recent catch-phrases suggest a shifting definition of the enemy and an intensifying spotlight on Iran. Bush noted in August 2006 that the US was "at war with Islamic fascists", while Blair (echoing the "axis of evil") has invoked an "arc of extremism" in the Middle East and beyond, adding that expansion of Iranian power calls for an "arc of moderation" to pin it back.

A third rule of advertising is to promise big benefits from your product. This is common-sense but it may be done quite subtly. Advertising has a strong strain of wish-fulfilment--it appeals to a pervasive and powerful kind of magical thinking. Typically, the product is portrayed as possessing magical qualities that will bring you love, sex, respect, security, or some combination of these. Raymond Williams argued that the problem with consumer society is not that we are too materialistic, but that we are not materialistic enough; if we were sensibly materialistic, if we confined our interest to the usefulness of objects, we would find most advertising to be of insane irrelevance.

The magical thinking behind the 'war on terror' is what allows such a radical disconnect between problem and solution--most glaringly, between 9/11 and attacking Iraq. Arendt noted in The Origins of Totalitarianism that it can be very attractive when leaders offer solutions with a degree of certainty; the illogical nature of the proposed 'solution' (for example, eliminating the Jews as a remedy for Germany's military and economic problems) does not necessarily make it any less attractive. Arendt also noted that the need for certainty may be particularly intense in circumstances where people's own economic and social circumstances are precarious; she suggested that part of the appeal of fascism was that the identification of a clearly-identified enemy--whilst frightening--was less frightening and less disorienting than a world in which the source of insecurity remained obscure.

That analysis resonates today. In his book What's the matter with Kansas?, Thomas Frank provides a revealing case-study of how economic insecurity has fed into support for Bush and for right-wing politicians more generally. Frank argues that in Kansas (and, by extension, much of middle America), a longstanding hostility towards big corporations has been displaced into a 'backlash' politics that includes hostility towards foreign enemies, towards a range of 'outgroups', and towards the forces (like science, evolution, secularism and pluralism) that seem to undermine old and comfortable certainties.

Whilst the Bush administration has significantly exacerbated domestic inequality and insecurity, the search for scapegoats precedes his regime. In her 1999 book Stiffed, Susan Faludi considered how economic security in the US had corroded traditional masculine roles centred on on protecting and providing. She wrote of "the search for someone to blame for the premature death of masculine promise", and she elaborated:

What began in the 1950s as an intemperate pursuit of Communists in the government bureaucracy, in the defence industries, in labor unions, the schools, the media, and Hollywood, would eventually become a hunt for a shape-shifting enemy who could take the form of women at the office, or gays in the military, or young black men on the street, or illegal aliens on the border, and from there become a surreal 'combat' with nonexistent black helicopters, one-world government, and goose-stepping UN peacekeeping thugs massing on imaginary horizons.

The desire to find some kind of an enemy was already in place, in other words. It seems that the terrorist - perhaps the ultimate shape-shifter with his civilian garb, his fluctuating 'state backers', and his tendency to disintegrate at the moment of his greatest crime--has stepped into an existing template.

Much earlier instances of scapegoating were illuminated in Keith Thomas's classic study Religion and the Decline of Magic. Thomas noted that when suffering is not explicable within existing frameworks, human beings have tended to resort to magical thinking--in other words, to turn to solutions with no logical or scientific connection to the problem. The limits of medical knowledge in the sixteenth and seventeenth centuries, for example, created a powerful impulse to explain illness through 'witchcraft'.

Today, in the face of the 'disease' of contemporary terrorism and the increased disorientation and anxiety after 9/11, severe shortcomings in state-based and economics-based explanatory frameworks have helped to create political and intellectual space for explanations and prescriptions that are once more leading us into the realms of the superstitious and the persecutory. In many ways, we are witnessing a return to magical thinking--the belief and hope that we can re-order the world to our liking by mere force of will or by actions that have no logical connection to the problem we are addressing. And as the old witch-hunts, it is the weakness of the victim that attracts the persecutor--the lack of weapons-of-mass-destruction, the inability to hit the US.

The personalities of both George W. Bush and Tony Blair have apparently contributed to this latest wave of magical thinking. US analyst Joe Klein said of Bush, "The President seems to believe that wishing will make it so." Novelist Doris Lessing said of Blair "He believes in magic. That if you say a thing, it is true." Commenting on Blair and the supposed Iraqi 'weapons of mass destruction', Polly Toynbee observed that the British Prime Minister "is so easily carried away by the persuasiveness of his own words and the force of his own arguments that you can hear him mesmerise himself There is an almost childish blurring between the wish and the fact: if he says something strongly enough, his words can magic it into truth" Perhaps the the most convincing salesmen actually do believe in their products (or at least have persuaded themselves to believe); but believing and cajoling have increasingly been revealed as insufficient. In a recent Foreign Affairs article, Blair argues that confronting 'Islamist terrorism' means not only using force but also "telling them that their attitude toward the United States is absurd, that their concept of governance is pre-feudal, that their positions on women and other faiths are reactionary." It also means rejecting "their false sense of grievance against the West". These words may have magical powers that only Blair is aware of; the rest of us may wonder how helpful or persuasive it is to be told that your attitudes are 'absurd' or your grievances are 'false'.

In the 'war on terror', key policy-makers have adopted (and sometimes openly expressed) the idea that you do not need evidence on which to base something as serious (and incendiary) as a war. Rumsfeld came close to acknowledging this with his statement that "absence of evidence is not evidence of absence of weapons of mass destruction". Notoriously, M16 chief Sir Richard Dearlove told a Downing Street meeting in July 2002 that in the US "the intelligence and facts were being fixed around the policy". More recently, in January 2007, Richard Perle noted that when it came to assessing the nuclear threat from Iran, "You can't afford to wait for all the evidence".

There are some indications that, for the Bush administration, the aim has not been to study reality (and then base behaviour on it) but to create reality. In the summer of 2002, journalist and author Ron Suskind met with one of Bush's senior advisers, who was unhappy with an article Suskind had written about the administration's media relations. The adviser commented that:

guys like me were "in what we call the reality-based community," which he defined as people who "believe that solutions emerge from your judicious study of discernible reality." I nodded and murmured something about enlightenment principles and empiricism. He cut me off. "That's not the way the world really works anymore," he continued. "We're an empire now, and when we act, we create our own reality. And while you're studying that reality - judiciously, as you will--we'll act again, creating other new realities, which you can study too, and that's how things will sort out. We're history's actors and you, all of you, will be left to just study what we do."

A fourth rule of advertising is that you are selling not only the product but also the problem or threat that the product is alleged to address. To sell the toilet-cleaner, in other words, you have to sell the germs. By extension, to sell the 'war on terror', you have to sell the terror. Of course, 9/11 was a horrifying fact, as were the bombings in Madrid and London that followed the invasion of Iraq. But we now know that the threat from Iraq was systematically exaggerated. Moreover, for all the fears being whipped up in relation to Iran, the threat of a direct attack on the US by Iran is small, particularly when compared with the threat of total obliteration by the Soviet Union during the Cold War. Of 42 terrorist organisations listed by the US State Department, only a handful (all linked to al-Qaida) have ever attacked the US or indicated that they wish to do so.

A fifth rule in advertising is another very basic one: you stress that the product will not cost much. Selling the attack on Iraq was like selling a dodgy mortgage: the cost looked reasonable but after a certain period--surprise!--the rates went up dramatically. Just before the Iraq war, the Pentagon estimated that it would cost about $50 billion. Wolfowitz told Congress, "There is a lot of money to pay for this [the Iraq war]. It doesn't have to be US taxpayer money. We are talking about a country that can finance its own reconstruction and relatively soon." Bush underlined the promise in the case of the 'war on terror' by pushing through tax-cuts in the run-up to war. (Indeed, the belief that major foreign and domestic problems can be magically solved without raising significant new taxes is something that seems to have united the Republican Bush and Labour's Blair.)

The impression that war would be relatively costless was reinforced by the incitement to a spending spree in the tough-talking aftermath of 9/11. Whilst the US intervention in World War Two had led to a concerted recycling effort and to rationing of gasoline and food, 9/11 led only to calls to US consumers to maintain their spending as a patriotic duty: there was to be a veritable feast at the wake. On 17 October 2001, Bush declared, "They want us to stop flying and they want us to stop buying, but this great nation will not be intimidated by the evildoers." Yet somehow, sometime, the costs of war will have to be met.

US Congressional Budget Office figures reveal that the Iraq war is currently absorbing some 200 million dollars a day. The total bill so far: $400 billion--a sum that economist Linda Bilmes says could provide health insurance for all the uninsured Americans. Assuming a gradual withdrawal of US troops that will be complete by 2015, Bilmes and renowned economist Joseph Stiglitz calculate the war could end up costing almost $2.5 trillion.

Before the Iraq invasion, promising low costs also included promising low troop commitments and low casualties - the latter reflecting, in part, an emphasis on technological 'advances' like Cruise missiles. Rumsfeld in particular promoted the idea of quick and relatively costless military solutions. Once again, this deceptive brand of magic has hardly borne scrutiny. Death and war are blood brothers who do not wish to be separated, and what was supposed to be 'a new kind of war' has turned out to be a pretty old kind in many ways. As of April 5th 2007, a total of 3,259 American soldiers had been confirmed as killed in Iraq. More than 50,000 US soldiers have been wounded in Iraq and Afghanistan, and the cost of looking after them could eventually run to some $536 billion. An October 2006 study in The Lancet suggested that some 655,000 had died as a result of the US-led invasion--a careful calculation made by a team from Johns Hopkins university.

The increasingly obvious costs of the 'war on terror' potentially present a problem that is familiar to consumer society more generally: the problem of dealing with broken promises. Consumerism has to sustain itself in the face of a reasonably consistent and persistent failure to bring happiness by means of a new skirt, car, deodorant, floor-cleaner or whatever. The trump card is that the dissatisfaction arising from the false promises of advertising is not so much a problem as a solution: it creates continued demand! This is the perverse genius of capitalism, and it was implicitly celebrated in an unusually frank in-store 2004 campaign by London's department store Selfridges, which reminded its customers, "You want it, you buy it, you forget it". If skillfully manipulated, frustrated desires can be encouraged to home in on some new product, some new promise that is also unlikely to be fulfilled. The process can be remarkably seamless and shameless.

US officials have an impressive CV when it comes to selling the useless and expensive wars that sustain the country's vast armaments industry, and the 'war on terror' is only the latest in a long line. Served either hot or Cold, these serial wars have never quite delivered what they promised--either to the ordinary citizens of America or to the wider world. After the stand-off with the Soviet Union (with its huge financial costs and horrendous human costs in the developing world) came the 'war on drugs' (which fuelled paramilitary abuses in Colombia, for example), and the US stand-off with 'rogue states'.

The 'war on terror' has itself mutated with great speed. In 1996, the Taliban was welcomed by Western diplomats as a relatively palatable and pliable alternative to the warlords terrorising Afghanistan. But this was soon forgotten as al-Qaida moved centre-stage and the Taliban was increasingly seen as a key backer. The toppling of Taliban was not an initial aim of the US-led war; the stated purpose was to bring justice to those responsible for 9/11 and eliminate their bases. But again this was quickly forgotten. The 2001 attacks on Afghanistan did not bring peace, either there or in the wider world. Again, this was not necessarily a problem so long as the TV crews disappeared and some new crisis could be brought to western TV screens.

A key way that you make people forget their dissatisfaction with what they have been offered is precisely by offering them something new. A small child has started crying and the minder picks up a rattle, saying "Here, take a look at this!" Suddenly, the child is not crying any more. At a meeting of the National Security Council on 25 September 2001, Donald Rumsfeld said, "Look, as part of the war on terrorism, should we be getting something going in another area, other than Afghanistan, so that success or failure and progress isn't measured just by Afghanistan?" The debacle in Iraq has itself produced an urge for some new distraction, perhaps a war that will focus on aerial bombing and will not be so costly in terms of American lives. This "new, improved" product--seriously entertained in relation to Iran - has already been road-tested in Lebanon and Somalia.

Meanwhile, the bizarre 'beauty' of the 'war on terror' is not only that it fails to remove the security deficit; it actively creates demand! First, it fosters a general sense of dread within the West: since we are 'at war', it is logical to conclude that the enemy must be powerful and pervasive. Second, the 'war on terror' predictably produces new terrorists. Over time, the exaggeration of threats is made more plausible by the creation of enemies. Iraq was labeled a source of terror, and it has obligingly become so. The whole fiasco is almost a copybook case of Hannah Arendt's 'action-as-propaganda', a concept she explained by pointing to "the advantages of a propaganda that constantly 'adds the power of organization' to the feeble and unreliable voice of argument, and thereby realizes, so to speak, on the spur of the moment, whatever it says."

The idea that strengthening the enemy is actually functional may sound bizarre, but it all depends on your goals. Winning is not everything. Making money and winning elections are also important. Being seen to be winning may sometimes be paramount. During the attack on Afghanistan in 2001, US officials "admitted privately that they would soon be running out of things to bomb--and running short of the videos that help keep public support for the war afloat". (As with music sales, a short video can do wonders.) Woodward noted, "[Deputy Secretary of Defence Paul] Wolfowitz said that the Taliban were getting reinforcements but [General Tommy] Franks [head of US Central Command] thought that had a good news side--it would create more targets."

The predictably counterproductive effects of attacking Iraq also throw doubt on whether defeating terror is really a core aim. Certainly, the war has been counterproductive. An assessment by 16 US intelligence agencies found that the invasion and occupation of Iraq had helped to create a new generation of Islamic radicalism and that the overall terrorist threat had grown since 9/11. One study found a sevenfold increase in the yearly rate of fatal jihadist attacks when comparing the period between 9/11 and the start of the Iraq invasion and the following period up to end-September 2006. When "terrorist attacks" inside Iraq and Afghanistan were excluded, there was still a rise of more than one-third. The probably of terror attacks in a particular country rose if the country had troops in Iraq, was close to Iraq, had a significant degree of identification with the Iraqi people and exchanged ideas or personnel with Iraqi jihadist groups.

Some products have an inherently limited demand: there are only so many potatoes you can eat until you feel full. Some have a level of demand that can be increased through advertising: whilst a person only needs a limited number of sweaters: the dictates of fashion can overcome this awkward fact. Still other products have an intrinsically magical quality: the more you have, the more you seem to need. This may be because the products are addictive, or because they help to create a world in which they seem more and more 'essential'. Drugs and guns have both these happy qualities, and so does the 'war on terror'. (Note that the warmongers are not simply selling war but also the instruments of war: each new instalment of perpetual warfare--not least in the 'war on terror' - brings a chance to advertise your high-tech killing wares; in this sense, as Jean Baudrillard noted, war is advertising. )

We know that selling something frequently represents an opportunity to sell something else: would you like a nice stand for that TV, sir, or some shoes to go with that suit? Moreover, if a product is unreliable, this is not so much a problem as an opportunity to sell insurance. Finally, if after a while the product becomes useless of even downright dangerous, this conveniently creates demand for a replacement. Indeed, this process may have an element of design: they used to call it 'built-in obsolescence', a technique that works best when the manufacturer has a monopoly of what is being sold. (This need for a monopoly makes it doubly unfortunate that in the US the Democrats have, until recently, tended to fall in line with the solutions peddled by the Republican administration).

In the quasi-monopolistic conditions of American politics, it seems the frustrated desire for security can always be harnessed to some new promise, some new war, some new threat: whether it is Afghanistan, Iraq, Lebanon, Somalia, Syria, Iran or North Korea. For those in search of safety and certainty, war has both the advantages and limitations of a drug or a spot of 'retail therapy': each new war we buy into can bring some temporary relief in the context of a general free-floating powerlessness; but this inevitably wears off and before long you may need another hit to make you feel better. All it requires, to keep the dysfunctional system going, is that we quickly and obligingly forget how badly the last 'solution' worked, that we erase how soon the good trip turned to bad, that we subscribe to the new definition of evil as readily as the media-drenched 'proles' of George Orwell's 1984, that we choke off our disillusion through some new fever; in short, that we take the Selfridges slogan and let it seduce us into supporting whatever war is currently on offer: "You want it, you buy it, you forget it".

Gore Vidal had much earlier referred to the "United States of Amnesia", and Rumsfeld himself happily observed of journalists, "they've got the attention-span of gnats". TV seems to be the perfect medium here. A survey in the US by a team at the University of Massachusetts during the 1991 Iraq war found: "The more TV people watched, the less they knew Despite months of coverage, most people do not know basic facts about the political situation in the Middle East, or about the recent history of US policy towards Iraq."

With no sense of history, it is easy to portray the actions of 'the other side' as naked, unprovoked aggression; the element of retaliation is obscured. A good example may be the much-publicised capture of 15 British sailors by Iranian authorities. How many people realize that this is quite likely to represent retaliation for the capture by US officials in northern Iraq of five Iranian officials, a raid apparently aimed at two very high-ranking Iranian security officials?

Capitalism and the 'war on terror' not only help to sustain one another but they also have this in common: they worship success but are nourished by failure. As dutiful consumers, we must pat ourselves on the back for our high standards of living, and yet we can never admit that we have enough. We celebrate our economic victory (as individuals, as 'the West', as 'developed' nations) - and America's particularly high levels of consumption are sometimes taken as attaching a special, other-worldly seal of approval to 'God's own country'. But at the same time we are constantly reminded, every hour of every day, of what we do not have and of all the material and physical desires (often re-defined as'needs') that remain unfulfilled. The 'war on terror' works in something of the same way. We celebrate each (fleeting) military victory (which some see, again, as attaching God's approval to this endeavour). But we are constantly reminded--by the government, by the police, by journalists - of what we do not have, and all the ways in which our need for security and certainty remain chronically unfulfilled. We are forever winning the 'war on terror', in other words, but there is always so much more to do. One day Bush is standing aboard the USS Abraham Lincoln after the fall of Saddam and declaring under a banner proclaiming 'Mission Accomplished': "We do not know the day of final victory, but we have seen the turning of the tide." Twelve days later, there are bombings in Riyadh, Saudi Arabia, and in a special on the 'war on terror', Time magazine has to break the news to its readers: "No, it's not over." Each terror attack serves to remind us that we remain chronically in need of those whom we know (but somehow keep forgetting) are making the problem worse.

In this macabre dance of officialdom and the media, victory and failure are simultaneously glorified, and each failure--in a pattern that has long characterised humanitarian relief, for example - is redefined as both 'need' and 'opportunity'. Is the doctrine of deterrence increasingly redundant in the face of suicide attacks? Then we must renew our commitment to it by deterring states from supporting terrorists that they do not, in any case, support! Has the technology of the West been turned against itself on 9/11 by attackers armed with no more than knives, box-cutters and a willingness to die? Then we must have more technology: more high-tech weapons, more smart weapons and drones! Are terrorists angry at our meddling in the Middle East? Then we must meddle some more! Is Iraq falling apart? Then we must attack Iran!

Apparently confident of our capacity to forget, the official response to dissatisfaction with the 'war on terror' seems to be that we have not been trying--or buying--hard enough. Referring to the battle with "Islamist extremism", Tony Blair asks, "Why are we not yet succeeding?" His answer: "Because we are not being bold enough, consistent enough, thorough enough in fighting for the values we believe in."

When Meyrav Wurmser, a prominent neo-con and director of the Centre for Middle East Policy at the Hudson Institute, said of the Iraq situation, "It's a mess, isn't it?", there were promising hints of a neo-con rethink. But as with many neo-cons, her plea has been for more of the same: "My argument has always been that this war is senseless if you don't give it a regional context." Wurmser explains further: "The objective was to change the face of the Middle East. But it was impossible to create a mini-democracy amidst a sea of dictatorships looking to destroy this poor democracy, and thus, where do insurgents in Iraq come from? From Iran and Syria." She adds that "many parts of the American administration" wanted Israel to attack Syria rather than Hizbollah, seeing the former course as likely to weaken Iran and weaken rebellion in Iraq. Of course, the forcible ending of Sunni dominance in Iraq under Saddam Hussain has itself boosted Iranian influence in Iraq, where the Shi'a majority has gained in power through democratization.
Evidence from witch-hunts past and present suggests that they operate within closed systems of thought that make them difficult to challenge. When the killing or banishment of a witch does not eliminate a particular problem, the conclusion is usually not that the witch-hunt was ill-conceived but that more witches must be found.
Even as the number of chosen enemy shifts with Orwellian rapidity, this is disguised with the insistence that "they are all the same, really"--an essentially racist discourse that angers and belittles those on the receiving end. Tony Blair recently came up with a typical example of this 'lumping':
The struggle against terrorism in Madrid, or London, or Paris is the same as the struggle against the terrorist acts of Hezbollah in Lebanon, or Palestinian Islamic Jihad in the Palestinian territories, or rejectionist groups in Iraq. The murder of the innocent in Beslan is part of the same ideology that takes innocent lives in Libya, Saudi Arabia, or Yemen. And when Iran gives support to such terrorism, it becomes part of the same battle, with the same ideology at its heart.

Blair says that what these groups have in common is that they hate "us", a formulation that panders to his audience's sense of self-importance. But not everyone is buying either the reckless, mutating definitions of the enemy or the policy of endless war as a route to peace. For all the mind-numbing influence of sound-bites and 'real-time' TV, lies may not be forgotten overnight, and the false promise of a quick and easy solution to the desire for security have been increasingly exposed as such. Many US soldiers and relatives had the impression that taking Baghdad would be the soldiers' ticket home. But as early as July 2003, Julian Borger noted of the home-base of the US's Third Infantry Division in the state of Georgia, "Hinesville feels the pain of a war that is refusing to end as neatly as was advertised."

In relation to Iraq, the warmongers' plan (again in line with Arendt's analysis of totalitarianism) was that action would serve as the most effective propaganda. Thus, the late Robin Cook recalled of Blair, "In the many conversations we had in the run-up to the war, he always assumed that the war would end in victory, and that military triumph would silence the critics." Prior to the attack on Iraq, Bush's close adviser Karl Rove proclaimed: "Everything will be measured by results. The victor is always right. History ascribes to the victor qualities that may not actually have been there. And similarly to the defeated." Another statement was very similar to Rove's: "The victor will not be asked afterwards whether he told the truth or not. When starting and waging a war it is not right that matters, but victory." That last statement was from Adolf Hitler in 1939.

Part of the problem, for Bush and Blair, is that relying on 'victory' to generate legitimacy is clearly a double-edged sword. Moreover, those who claim that God is on their side may be particularly vulnerable to a loss of popularity and prestige when defeat or stalemate implies that God is more ambivalent.

Meanwhile, although the salesmen of war have shaped and manipulated the debate, dissent can never be stifled completely. Noam Chomsky has suggested that effective propaganda tends to involve slogans that nobody is going to oppose and that will not encourage people to think. Thus, 'Support our troops!' works well; 'Support our policy!' does not work so well. The official mantra has been that opposing the 'war on terror' is disloyal to 'our soldiers'. But now we find old slogans neatly subverted, as in this American banner: "Support our troops--bring them home." Take a look at www.freewayblogger.com, and you can see how part of the problem (the American love affair with the car and the accompanying thirst for oil) is being turned into part of the solution: those stuck in traffic can now read a range of improvised banners on bridges and roadsides with slogans like "Nobody died when Clinton lied", "A nation of sheep soon begets a government of wolves", and "655,000 Dead Iraqis and I'm still paying $2.69 for unleaded." It seems peace, too, can be advertised with skill and ingenuity.

The Swedish diplomat and arms inspector Hans Blix summed up the Iraq debacle well. Noting that US and UK governments presumably claimed their certainty that weapons existed in order to get endorsement by their legislatures and by the UN Security Council, he added that governments "are not just vendors of merchandise but leaders from whom some sincerity should be asked when they exercise their responsibility for war and peace in the world." But sincerity is not top of the salesman's list of qualities. Perhaps those who peddle false certainties are half aware that their audience (like those witnessing a magic trick) may actually want, at some level, to be fooled: certainly, any feeling of temporary reassurance would depend on this mechanism. In any event, the shrewd vendor seems to know something that many of us do not: his products will not bring us the promised benefits; yet if our frustrated desires can be managed successfully, we may want these products all the more for that.


David Keen teaches at the London School of Economics. He is the author of Endless War? Hidden Functions of the 'War on Terror' (Pluto, 2006).

"Shaping" - Enlisting Madison Avenue

Shaping = Framing + Spin + Agenda-Driven Actions.
~ Spinboydotcom










Shaping, in traditional U.S. military parlance, refers to battlefield activities designed to constrain adversary force options or increase friendly force options. It is exemplified in the U.S. landing at the Port of Inch’on, which caused the redeployment of North Korean forcesthreatening the city of Pusan and dramatically altered the course of the Korean War.

Recent analysis of field requirements and joint urban doctrine has expanded the concept of shaping to include influencing resident populations in military operational theaters. These populations constitute a significant component of stability operations, particularly through their decision to support friendly force objectives or those of the adversary.

Virtually every action, message, and decision of a force shapes the opinions of an indigenous population: how coalition personnel treat civilians during cordon-and-search operations, the accuracy or inaccuracy of aerial bombardment, and the treatment of detainees. Unity of message is key in this regard.

The panoply of U.S. force actions must be synchronized across the operational battle space to the greatest extent possible so as not to conflict with statements made in communications at every level, from the President to the soldier, sailor,marine, or airman in the theater of operations.

Given the inherent difficulty in unifying coalition messages across disparate organizations, within and across governments, and over time, shaping efforts must be designed, war-gamed, and conducted as a campaign. The goal of such a shaping campaign is to foster positive attitudes among the populace toward U.S. and allied forces. These attitudes, while not the goal in and of themselves, help decrease anticoalition behaviors and motivate the population to act in ways that facilitate friendly force operational objectives and the attainment of desired end states.

“Every action U.S. forces take sends a message to civilian populations and shapes their attitudes and behavior,” said Todd Helmus, a RAND associate behavioral scientist and lead author of the report. “It's not just a matter of putting the right ‘spin' on U.S. military actions, because words alone won't win public support. Instead, U.S. forces need to take the right actions if they want to get the local support that's crucial to America's counterinsurgency efforts in Iraq and Afghanistan.”

“The central feature of consumer marketing is: know your target audience so you can satisfy their needs,” Helmus added. “The U.S. armed forces need to know who the civilian populations of Iraq and Afghanistan are, apply that knowledge through day-to-day operations, and monitor how those civilian populations perceive U.S. operations in their countries. Then the military can adjust operations to get more civilian support.”

Adversaries fabricate stories and events that paint the United States and its armed forces in a negative light. U.S. kinetic operations,especially those that inflict civilian casualties, can provide the backdrop for adversaries’ shaping efforts. Both PA and PSYOP personnel should be involved in planning and war-gaming kinetic and other relevant operations; they can help spot adversaries’ shaping opportunities and assist in planning effective mitigation strategies. The United States should counter potentially damaging false allegations with fact and transparency, enlisting the help of allies and indigenous partners who may more credibly correct misrepresentations.

18 July 2007

War - What Is It Good For

War hasn't been used for actual "warring" since LBJ and the Domino Theory. War is now just another piece of a Successful Business Plan. ~ Spinboydotcom











War Is So Over

The world has changed. War can't do what it used to.

By Mitchell Anderson

Published: July 18, 2007

TheTyee.ca

War doesn't work anymore. From Iraq to Afghanistan to the Palestinian conflict, it is becoming increasingly obvious that the oldest method in human history for resolving disputes has become obsolete.

It's not that war is wrong (it usually is). It's not that war is ghastly (it always is). The simple fact is that war as a strategy to achieve a desired outcome no longer functions.

Look no further than the ongoing debacle in Iraq. The U.S., with the biggest military machine in human history, is mired in a losing struggle with determined insurgency equipped mainly with small arms and improvised roadside bombs.

After spending more than $480 billion and counting, the U.S. military still cannot pacify a country with no organized military opposition, even when the prize is the second biggest oil reserves in the world.

Perpetual Enemy Creating Machine

The grisly human toll mounts even as prospect of a military victory fades daily. The U.S. and their allies have so far lost over 3,500 soldiers. Over 26,000 have been wounded. Last year the Lancet estimated that more than 600,000 Iraqis had lost their lives to violence since the invasion in 2003.

Even while saddled with arguably the most docile and jingoistic media in the developed world, the American public is demanding an end to this fiasco. Two thirds of the U.S. public currently opposes the war. Over half believe that it is creating more terrorists than reducing the threat from terrorism.

This last point is key. The strategy of trying to pacify a population by killing those who don't agree with you may have worked for millennia but has now become plainly counterproductive. It is like trying to fight a fire with kerosene.

With every door kicked in, every person humiliated, every loved one killed, there are more bereaved and enraged people willing to join an insurgency. This ad-hoc volunteer force of combatants is becoming an unbeatable foe for the world's leading military powers.

The Israeli-Palestinian conflict is a poignant example of this emerging reality. Pound for pound, Israel has one of the most effective militaries in the world. They also have employed a grimly well-honed policy of disproportionate retribution.

There is no doubt that the various groups opposed to Israel know very well that the Jewish state can and will exact a disproportionate cost for every action against them. This strategy, with its gruesome human toll on both sides, has been going on for generations, yet has utterly failed to end the conflict, or to protect Israeli citizens.

Everyone's Armed Now

So what has changed? Why has it become so much easier to mount a crippling insurgency? One factor is the global profusion of small arms. There are now about 600 million in circulation in the world, which cause some 500,000 deaths each year.

The cost of a new AK-47 in Iraq is about $200. In Afghanistan, a used one is a bargain at about $10. Bullets are 30 cents each. A rocket launcher in Baghdad can be had for about $100.

According to author Stephen Flynn, "weapons like the AK-47 are so plentiful that they can be had for the price of a chicken in Uganda, the price of a goat in Kenya, and the price of a bag of maize in Mozambique or Angola."

With so many weapons in circulation, the historic advantage of a well-armed military over an unarmed occupied civilian population is becoming lost.

Era of the Suicide Bomber

The other new factor is the deadly and recent phenomenon of suicide bombing. Developed as a tactic in the Lebanese civil war only in the 1980's, it has become a frighteningly effective tool that military powers are virtually powerless to prevent.

Between 1980 and 2003, suicide attacks accounted for only 3 per cent of terrorist attacks worldwide but 48 per cent of deaths due to terrorism. A conventional army trained to fight other soldiers is of little practical use against such extreme tactics.

Contrary to popular opinion, most suicide bombers are not motivated by religious fanaticism. According to Robert Pape's seminal book on the subject "Dying to Win", 95 per cent of suicide attacks have had one strategic goal: to remove an occupier.

Not surprisingly, places such as Iraq, Afghanistan, and Palestine, where suicide tactics are commonplace, are also examples where it has become virtually impossible to win a military solution.

Sunset Industry

In spite of the waning utility of war, like many sunset industries, it will be subsidized long after it makes sense to do so. Military spending around the world has increased 34 per cent since 1996 and currently eats up $1.2 trillion each year -- 46 per cent of which is accounted for by the U.S. alone.

Instead of throwing good money after bad, we should admit that most military interventions are no longer effective and reallocate those resources towards preventing conditions that lead to conflict. Rather than lamenting the end of war, we should embrace the possibilities it creates.

The U.S. government spends 32 times more on the military than foreign aid. Globally, aid is less than 7 per cent of military spending. Based on those numbers, the potential to make the world a more civil, just and peaceful place is enormous.

The so-called "war on terror" will not be won on a battlefield; it will be resolved through economic development, fair trade practices, strategic assistance and respectful negotiation.

Like slavery, subjugation of women and eugenics, the age of war has come and gone. It will not be missed.

14 July 2007

White House Hushed Him

"If It Doesn't Fit, You Must Omit." ~ Spinboydotcom










Ex-Surgeon General Says White House Hushed Him

By Christopher Lee

Former surgeon general Richard H. Carmona yesterday accused the Bush administration of muzzling him on sensitive public health issues, becoming the most prominent voice among several current and former federal science officials who have complained of political interference.

Carmona, a Bush nominee who served from 2002 to 2006, told the House Committee on Oversight and Government Reform that political appointees in the administration routinely scrubbed his speeches for politically sensitive content and blocked him from speaking out on public health matters such as stem cell research, abstinence-only sex education and the emergency contraceptive Plan B.

"Anything that doesn't fit into the political appointees' ideological, theological or political agenda is often ignored, marginalized or simply buried," he said. "The problem with this approach is that in public health, as in a democracy, there is nothing worse than ignoring science or marginalizing the voice of science for reasons driven by changing political winds."

In one such case, Carmona, a former professor of surgery and public health at the University of Arizona, said he was told not to speak out during the national debate over whether the federal government should fund embryonic stem cell research, which President Bush opposes.

"Much of the discussion was being driven by theology, ideology, [and] preconceived beliefs that were scientifically incorrect," said Carmona, one of three former surgeons general who testified at yesterday's hearing. "I thought, 'This is a perfect example of the surgeon general being able to step forward, educate the American public.' . . . I was blocked at every turn. I was told the decision had already been made -- 'Stand down. Don't talk about it.' That information was removed from my speeches."

White House spokesman Tony Fratto rejected claims of political interference, saying Carmona had all the support he needed to carry out his mission. "As surgeon general, Dr. Carmona was given the authority and had the obligation to be the leading voice for the health of all Americans," Fratto said. "It's disappointing to us if he failed to use his position to the fullest extent in advocating for policies he thought were in the best interests of the nation."

Carmona said that when the administration touted funding for abstinence-only education, he was prevented from discussing research on the effectiveness of teaching about condoms as well as abstinence. "There was already a policy in place that did not want to hear the science but wanted to just preach abstinence, which I felt was scientifically incorrect," Carmona said.

Rep. Henry A. Waxman (D-Calif.), the House panel's chairman, called for Congress to take steps to insulate the office from political influence. "We shouldn't allow the surgeon general to be politicized," he said. "It is the doctor to the nation. That person needs to have credibility, independence and to speak about science."

Carmona, a former deputy sheriff in Arizona with expertise in emergency preparedness, came to the administration's attention because of his work helping local governments plan their response to terrorist attacks. A high school dropout and former Army Special Forces medic, Carmona eventually received undergraduate and medical degrees from the University of California at San Francisco.

He is the latest in a string of government employees to complain that ideology is trumping science in the Bush administration.

In January, the leader of the National Institutes of Health's task force on stem cells, Story Landis, said that because of the Bush policy -- which aims to protect three-day-old embryos -- the nation is "missing out on possible breakthroughs." And in March, NIH Director Elias A. Zerhouni called the Bush policy "shortsighted."

Last year, NASA scientist James E. Hansen and other federal climate researchers said the Bush administration had made it hard for them to speak in a forthright manner about global warming. In 2005, Susan F. Wood, an assistant FDA commissioner and director of the agency's Office of Women's Health, resigned her post, citing her frustration with political interference that was delaying approval of over-the-counter sales of Plan B.

"Public health is only effective when it is honest," said David Michaels, director of the Project on Scientific Knowledge and Public Policy at the George Washington University School of Public Health. "When public health leaders don't tell the truth, they lose credibility, and in the long run, we all pay the price."

Two other former surgeons general, David Satcher and C. Everett Koop, said at the hearing that political interference appears to have grown worse under Bush, although they noted that this administration has not been the only one to take a political approach toward the office.

Satcher, Carmona's predecessor, who served from 1998 to 2002, said that under President Bill Clinton he could not release a report on sexuality and public health, in part because of sensitivities triggered by the Monica Lewinsky scandal.

Clinton also forced out Joycelyn Elders as surgeon general in 1994 after her controversial remarks that public schools should consider teaching about masturbation.

Koop, who served as surgeon general under President Ronald Reagan, spoke out on AIDS, despite political pressure not to do so. He said Reagan was pressured to fire him every day -- but he did not.

"If he had not been the kind of person he was, I would not be here today," Koop said.

13 July 2007

Physical Meets Virtual, V.2 - "Immersion Breeds Passion"

Actual examples of where, how, why and what happens when Physical worlds meet Virtual worlds [and vice versa].

Creating experiences, selling products, placing brands, empowering users, growing business, playing work and working play. A good assessment of where it's all at - right now.

*If the vid doesn't work - click this

- or this


Video thumbnail. Click to play
Click To Play

Highlights-

* Alternative Reality Games (ARGs) are a platform to tell engaging stories. "It's all about creating experiences that give very good effective suspension of disbelief"... kicking off in similar feeling to Michael Douglas in The Game, or Keanu in The Matrix (get a thing in strange package & suddenly it starts...)


* There are no controls you have to learn - it's role-playing yourself doing things you already do; and it gets you out into the world.


* Most games also run live events - eg: 30k participants in recent game run co-branded with BBC at the music festival in Preston.

* War of Worlds - Orson Welles radio play - the first ARG?? showed how much entertainment can move you if you believe it's real.


* Recent examples of ARGs: Lost game, Heroes 360, AI The Beast, Microsoft Halo2...

* 9 inch nails Year Zero... when you play CD it heats up and when you take it out the heat sensitive ink printed on it reveals a special message that takes you into the game. For Trent, it's not only about the music anymore, he's communicating his ideas in other formats too.* Immersion breeds passion - narrative builds ties... Eg: players who handfolded paper cranes imitating a japanese ritual to commemorate death of a character. "Our players are very very driven... and sometimes a bit psychotic!"

* "Our audience lives eats and breathes Web 2.0" - Eg: they built a Wiki to track the story; they created a google map, they even collaborated to write a book that was printed on demand in order to pass a hurdle in the game. Right now they've built a system to crack a military code that would ordinarily need a supercomputer for, by running it across thousands of computers worldwide.

* Perplex City stats: 40% UK, 40% US, rest english language markets; 50/50 almost 60/40 gender split in favour of women - think this is because it's got such a strong story, it's like following a soap opera. Average age 26 but ranges 14-70. Audience funnel: a small cadre who are seriously engaged and do everything, with larger majority who follow along on blogs, etc.

* Learning a lot from TV - how to cope with people coming in half way through (eg: short video recaps); doesn't have to end on a bad note provided it's written well.

* Marketing opportunities "Product placement on crack" ... opportunities to showcase products within the story... opportunities to require people to interact with products in order to progress story (so great if require you to learn to use a new feature on mobile phone for eg). Driving foot traffic... eg: flashmobs to a retail store... Driving click traffic... they follow every link in depth




Physical Meet Virutal - Virtual Meet Physical

Right now, the Physical worlds are bleeding into the Virtual worlds and vice versa.

Where these worlds meet is where all the action is. It's also where all the really interesting opportunities are.

Worth watching, in spite of the 'um-laden' presentation.

11 July 2007

Today's Sarcasms Are Tomorrow's Realities

Fiction is now the playbook for real life. Entertainment trumps issues. Reality is just another perspective we may or may not use.











Larry Beinhart Explains the Narratives of War

Larry Beinhart is a regular BuzzFlash columnist and one of our favorite analysts on the role of packaging fictional narratives into reality. We hardly ever watch a movie more than once, but we've watched "Wag the Dog" several times, including viewing it with those commentary tracks by the director, Barry Levinson, and the "producer" of a non-existent war with Albania, Dustin Hoffman. "Wag the Dog" is based on Beinhart's book, American Hero.

American Hero. however, was set in Gulf War I, while "Wag the Dog" parallels the Monica Lewinsky scandal.

What distinguishes Beinhart's writing is how perspicaciously he understands the role of turning fiction into reality in a television age. He also understands the fine art of manipulating the masses.

The Busheviks, of course, are masters at these techniques. They create artificial "narratives" that plow right through reality.

BuzzFlash enjoyed having another conversation with Beinhart, as his thoughts are as relevant as ever.

* * *

BuzzFlash: Your novel, American Hero, was the basis for the film, "Wag the Dog." Your fiction is so interwoven with the reality of politics that, in many ways, it is reality, except that certain specifics are changed. Another of your books, Fog Facts, examined the deception that is used in political narratives to mislead the public.

Let's look at two real stories that the government itself chose to play up -- those of Jessica Lynch and Pat Tillman. What was the Pentagon trying to do with those stories? Jessica Lynch was portrayed as a heroine. The Pentagon basically created something out of her that didn't exist. She was far too modest to take claim for what they attributed to her. And then we've learned that Pat Tillman didn't die heroically. The Pentagon covered up the circumstances of his death, which was death by friendly fire, and made a heroic narrative out of his death that was simply a lie. Jessica Lynch wasn't a victim of friendly fire, but she was unconscious during virtually all of her ordeal, and they attributed heroic acts to her that didn't happen.

Larry Beinhart: They were trying to create a fictional narrative that everybody would get behind and cheer. It's something that armies have always done. For instance, the British Army would go off to the Sudan, and everybody but one guy would get slaughtered, and he would be marched back through London as a hero. It's one of the things you do in war. You bring back the heroes, and you give them a parade. And you beat the drums, and you get people to join up.

I love Pat Tillman, because Pat Tillman should be the genuine poster boy for the Bush wars. Here's a guy who signs up out of genuine heroism and wants to do something. He goes off and gets killed by friendly fire. That he gets killed by accident, or by the incompetence of his own people, is the perfect metaphor for any Bush effort about anything, be it their failure to rescue New Orleans or the failed war in Afghanistan, or the failed war in Iraq. Whatever these guys touch turns into "Death to Smoochy." And then they produce a fictional narrative about it, and lie about it, because they want to keep their story going. When somebody tries to expose it, they say you're not Christian enough. If you were Christian enough, you wouldn't be upset that your son is dead. So Pat Tillman should be the poster boy for this war -- no question about it.

BuzzFlash: If we go back to before the first Gulf War, one of the "gotcha" points in terms of the narrative that led to that war was that the Iraqis had taken over a hospital and thrown babies out of their incubators.

Larry Beinhart: Yes.

BuzzFlash: A young woman testified to Congress and said that she witnessed all this, and how horrifying it was that Iraqis were just barbarians. They made these babies die. Later it was revealed that this young woman was the daughter of the Kuwaiti ambassador to the United States, and she wasn't even in Kuwait -- had no knowledge of such an event.

Larry Beinhart: Her story wasn't true, right.

BuzzFlash: And she had been coached by a public relations firm and given a script to read to Congress. Clearly, this was not done without the knowledge of the Bush I Administration. That revealed how far our government -- in this case, the Bush I Administration -- would go. They actually fabricated an incident, with the help of a PR firm, Hill and Knowlton, and put a young woman who was the daughter of the Kuwaiti ambassador before Congress. As a fiction writer, how can you outdo that?

Larry Beinhart: That's essentially why I wrote American Hero, which came out in 1994. The essential thrust of the book is that the administration created a fictional narrative to justify the real war that they wanted to have. I wanted to produce a fictional narrative that you could read, and know it was fiction, and yet when you had done so, the story explains the facts better than the the government's story.

But they sold the war. They have produced wars based on fictional narratives. I was astonished when "wag the dog" became a part of the international lexicon -- it became a metaphor for fictionalized war.

That's great, but the cynicism did not produce restraint. It produced even more outrageously cynical behavior. It's really quite terrifying. As I wrote in my new introduction for Wag the Dog: The Novel, which is the title of the reissue of the book, it was if they had taken this as an instruction manual.

As part of Wag the Dog, I have a scene in which the guy who's making up Gulf War I considers making up a war called the "war on terror." And he's going to have an incident. They're going to create the war on terror. And in the war on terror, it'll be like the Crusades -- the Christian, rational West against the backward, primitive Islamic East. And it'll be the new Crusades. And clearly you had a fictional incident.

And lo and behold, we had a real incident with 9/11. Then they went ahead and created the war on Iraq, and the war on terror -- which was kind of like the Crusades -- you know, the rational, Christian West against the mad, Islamo-fascist East.

It was astonishingly fictional, but it was a narrative. It was the only narrative seriously available. Because of that, our media universally joined up with it.

The only counter-narrative was that the guys in charge of the United States are madmen, and they have their own private, as-yet-unrevealed reasons for going to war with Iraq, and for having wars. And so they decided to do it. And they decided to do it in a way that would guarantee its failure, which is not a very appealing narrative. It leaves too much unanswered, and it doesn't satisfy either the reader or the TV watcher. It's not much of a counter-narrative, but it is, in fact, closer to the reality.

BuzzFlash: Why would they decide to do it in a way that would guarantee failure?

Larry Beinhart: That's an interesting question, and it is not yet answered, or it is answered in ways that are not narratively appealing. They decided to do it -- and this is my narrative, it's not a universally accepted narrative, I haven't read it anywhere else, so nobody else is buying it yet -- but they did it in a way that was guaranteed to fail because they are locked into a theological narrative. That is, they so believe in the power of their own theological beliefs that they think the theology alone will sweep everything before it. Once they removed the great barrier, which was the evil dictator, Saddam Hussein, and said, okay guys, now you can have democracy and free-market capitalism -- a mini-United States -- a kind of post-war, but more grateful, France would instantly emerge. They honestly believed in all their hearts that that's what would happen.

That theological belief guaranteed that chaos would ensue. They did not believe that you need real government institutions like, peace keepers on the street -- policemen. They didn't consider that, if you disband the army and suddenly release a couple of hundred thousand military-trained guys with guns into the country, with no place to go, that they're not going to become law abiding shopkeepers and construction workers. They're going to say: Hey, I got this gun. I'm going to go out and steal something. Or join a gang. It never occurred to them that that's what would happen. It never occurred to them that it takes years, even for free-market private economies, to come up with industries that employ people and have people making money. They were so trapped in their own theological narratives that they had no contact with realities at all.

BuzzFlash: Your book, The Librarian, was another fictionalized account that perhaps wasn't too far from being reality. When the fictional narrative in politics becomes more prevalent than the empirical reality, or the fictional narrative overpowers empirical reality, how do you write fiction? Aren't you then writing fiction about fictions?

Larry Beinhart: One way is you make it an apocryphal story. You take what is an institutional crime, kind of a soft-core vast conspiracy of the state crime, and you reduce it to an individual, and you make it an individual crime, with an individual paying the price for it, and an individual suffering injustice. That kind of clarifies what's wrong, as opposed to The Fog, in which a Dick Cheney or a George Bush claims he was acting on bad information -- that's what the CIA said, or that's what British intelligence said -- something that they can hide behind.

The other thing is that in fiction you can create the narrative with no restrictions. And yet the fictional narrative may better explain what really happened than the official stuff. That tells you, there's got to be something wrong with the official stuff. Maybe this fictional version I'm giving you doesn't quite cover it, but there really is something wrong, so we better think about this.

In The Librarian, I was writing about the 2004 election before it took place, all right? From my point of view, it was a different kind of test, where I'm predicting what's going to happen. I could come off looking like a total idiot, if I got it radically wrong. If the Democrats had swept the election and swept out George Bush, it would have looked like a pretty stupid book. But what I said was, it was going to come down to the wire, with red states red, and the blue states blue. And then the election would get stolen. And it would come down to a matter of the will of both the Democratic opponent himself and of the American people and how much they were going to tolerate having an election stolen.

And that's how the book ends. It literally ends with the hero saying, "Now it's up to you. What you are going to do about this?" And in 2004 what happened is the American people and John Kerry shrugged and said, "Okay, you stole the election." He was so caught up in the narrative that "these are all honorable men," that I don't think he ever actually understood that the election was being stolen from him. I don't think that he was capable of believing that narrative.

BuzzFlash: Let's talk about another example of how a narrative element overpowers evidence to the contrary -- I mean, the case of the Iraq war. We recall that last year the Washington Post had a poll indicating that more than 60% of Iraqis supported attacks on American troops.

Larry Beinhart: Correct.

BuzzFlash: Let's say that another 10% of people, maybe, weren't being completely honest, so you may have had 70% supporting attacks on American troops. And another ten to twenty percent said they just want U.S. troops out. So polling shows not only do they want us out, but the majority of them, by at least 10% if not more, support attacks on American troops.

Yet, we still have the narrative that we're trying to bring democracy to the Iraqis, and save them from extremists. Bush is still going ahead with the narrative that we are fighting extremists who are undermining Iraqi democracy, even though the Iraqis are saying we are the problem, according to at least one poll. What's your thought on that?

Larry Beinhart: Narratives don't happen by themselves. Somebody's got to get out there and push them. Now there are several real narratives. One is that, in Islamic countries, if you let people vote, they tend to vote for Islamic republics. Islamic republics tend to be anti-democratic and anti-Western. And every time in recent years where we have opened up, or an accident has opened up, an Islamic country to an election, that's the way they voted. In Turkey, it's happening right now. They've been trying to determine whether to permit a vote to go forward that the Islamists would win, although the Turkish constitution is secular. It's up to the military to prevent these Islamists from coming back and re-establishing the caliphate. So that's one narrative that we do not permit. Of course, there's nobody in the United States with a stake in having that narrative.

BuzzFlash: In Iran, the duly elected democratic, secular government was overthrown in 1953 with US and British support.

Larry Beinhart: Yes. In other words, we have two conflicting narratives. One is that we support democracy, and democracy leads to goodness. We also have another narrative, which is to say Islamic-run countries, Islamic theocracies, are our enemy. So those are two narratives. In reality what happens is if you have free elections in an Islamic country, you are very likely to have them vote in an Islamic theocracy. So these two narratives don't compute.

But you don't have anybody willing to say, do not let democracy take place. That would be like making overtly racist statements. You can't say it, so only one narrative is permissible. The only permissible narrative is democracy is good; we support democracy. The truth is that we don't want real democracy. And if we get it, we'll suppress it and fight it tooth and nail.

BuzzFlash: This was true, and is still true, in Central and South America.

Larry Beinhart: It's true in a lot of places.

BuzzFlash: We support democracy -- as long as we can veto the winner if we don't like the winner.

Larry Beinhart: Right. So that's one counter-narrative. The next counter-narrative is that this war is already lost, and George Bush lost it, because he was in charge. He overruled his own generals in the field. And he micromanaged what the generals did, and he led us into losing the war. And he put in one of the world's leading incompetents, Paul Bremer III. And every decision this guy made was wrong. And it's true, okay? I don't know why the Democrats don't embrace that narrative. I do not understand. I do not understand why they're afraid of saying that George Bush has lost this war.

BuzzFlash: Harry Reid said that in April.

Larry Beinhart: He should have kept repeating it. You know, a year ago, when people were first saying the word "impeachment," it sounded, oh, so outrageous. We can't do impeachment. No, no -- not impeachment. But now impeachment's becoming part of the daily lexicon, and we're all going to get used to it. And by the time it happens next year, we'll all be comfortable with it.

The Democrats should say "George Bush lost this war. And if he wants to continue it, he's got to come up with some really clear path or statements how he's going to win it." Once you establish that, then you can get to the next part of the narrative which goes back to the old narrative of we're going to stand down when they stand up, and for them to stand up, they need time to train their army and their police.

The guy who was in charge of training their army and police was General Petraeus. The reason they couldn't stand up is because he wasn't able to train their army. So, here's the guy who was in charge of the failure. The reason we still have to be there, is now put in charge of the whole shebang. And nobody said, wait a minute. You're the guy who presided over the failure that we now supposedly need the "surge" to make up for. And you will again be in charge. What are you going to do different? Nobody asked this, because the narrative of failure has not been accepted, has not even been articulated.

It's there. You can read it in Fiasco. You can read it in my work. You could read it before it happened in Scott Ritter. Scott Ritter provided the narrative. He said this was what was going to happen. To me, you have to admire his guts. It's a very gutsy thing to predict something like that. He said this is what is going to happen.

The degree to which people believe in the narrative over the facts or even the theory is astonishing. The official narrative is that we went to war in Iraq for some well-intentioned reason, whatever it may have been, and that American military efforts, planning and our troops on the ground are the best in the world. And yet the thing fell apart. The real narrative is that we went to war for unknown motives which are probably very bad ones. Then the American generals did not even adhere to their own theoretical principles -- they just went ahead and did what the idiots asked them to do.

BuzzFlash: Let's go to your last book, Fog Facts. You address so much in that book about what the American people see and believe, particularly because television is still such a primary influence on the way Americans think. What is a fog fact?

Larry Beinhart: A fog fact is a fact that's been published, or that's easily available, and that you could go out and check in five minutes on the Internet. Yet it has been lost in the fog of the vast amount of news that we have, because nobody has entered it into a narrative and so made it visible. We've gone over a bunch of them in this conversation, and another of them is the number of troops that you need to occupy Iraq.

BuzzFlash: We have seen, with the Bush Administration over the last seven years, but also in the corporate advertising world, that narratives can overpower reality. Reality sometimes has no place in a powerful narrative.

Larry Beinhart: Narrative is one of the basic ways that we organize life. You go to the grocery store, you organize it as a narrative. You don't organize it logically. You don't organize it emotionally. You don't organize it videographically. You go to war, you organize it narratively. It's one of the basic ways that we think and put life together.

What we should worry about is false narratives that overcome what could be better narratives. Some narratives are so driven by a particular interest or a form of salesmanship that they exclude or ride over things we should have been aware of, that in a more complete or better or more thoughtful narrative would have been included.

BuzzFlash: Meaning fog facts, for instance.

Larry Beinhart: Yes. Meaning, if you're going to occupy Iraq, you need 600,000 troops to do it. One narrative says you're going to draw out Saddam Hussein for whatever reasons, and you're going to occupy the country. Then you've got a choice of two narratives. One narrative is that it's going to be like the liberation of France in 1945, which is very clearly what they had in mind for Iraq. And the other narrative is, it's going to be like the British trying to occupy the American colonies back in the 1700s, or like the United States trying to control Vietnam.

So once you've got the situation, then you pick your narrative -- what it's going to be like. And they picked the wrong one. They picked France, 1945. It's not that the narrative itself is bad, but whether you've picked a good one or not. You watch TV, and the Coca-Cola people want you to pick the narrative that Coke will add life. Your doctor wants you to pick the one that says Coke adds fat.

BuzzFlash: We just had the fourth anniversary of "Mission Accomplished." Bush is at 26% in the polls, yet he continues in office along with Cheney and Gonzales. Rumsfeld is gone, but policy is basically unchanged. We were told we were going to have a short "surge" Now we're told we won't even know the results until September. Do you see any erosion of the Bush-Cheney war narrative?

Larry Beinhart: The Bush-Cheney situation right now is like this: They've gone to Vegas. Their stake was $200,000. They're down $300,000. If they get up and they leave the table, everyone knows they went to Vegas, lost their shirt, plus some more. If they stay there and keep betting, one of two things is going to happen. Either a miracle is going to occur, and somehow they'll suddenly win the war, or there will be a new election and they will be magically whisked away from their seats. Somebody else will be sitting there and become responsible for the losses. So their game plan has to be that they cannot lose more than they have already lost by staying in the war. They only lose more than they have already lost by acknowledging that they have lost. And that makes the narrative official -- that these guys started the war, ran the war and lost the war.

If they can keep the war going until somebody else comes into office, they will change the narrative to the war could have been won if we only had sufficient persistence. And the war was then lost by Barack Obama, or Hillary Clinton, or whatever Democrat's in office. So from their point of view, there's absolutely no reason to end the war.

04 July 2007

Dragging Anchors: I Made the News Today...

The image is always more important than the story.









Dragging Anchors: I Made the News Today...

For decades America's news anchors have been respected and authoritative figures. But as the number of viewers plummets, a new type of celebrity is reading the news.

By Leonard Doyle

Published: 05 July 2007

When the handsome Los Angeles Mayor Antonio Villaraigosa announced that he and his wife were splitting up last month, one of the first journalists on the story was Mirthala Salinas, the anchor for the Spanish language Telemundo channel.

Sharing the news with her viewers she deadpanned it, as though reporting a forest fire in Topanga canyon threatening some celebrity homes. What Salinas failed to mention, though,was that she was the other woman, and that they had been in an adulterous relationship for the past two years.

News of the affair sizzled across SoCal, as southern California is known on the news channels, as the Mayor confirmed it and pleaded for privacy "for his children". It was a rare occasion in which the Anglo community was paying attention to what was going on in the parallel universe of LA's Spanish speakers. The Los Angeles Times even put the story on the front page along with a lot of hand-wringing at the inappropriateness of it all.

"There really is no question that this is unacceptable," clucked Kelly McBride, a self-appointed media watchdog. "You can't sleep with your sources."

The world of the news anchor, born of the idea that the news is a public trust, is in freefall. Today's news presenters like the much-criticised Katie Couric of CBS News and the idolised Anderson Cooper of CNN, are the creation of the media campaigns that the old Hollywood studios used to manufacture their stars.

Dan Rather complained that the decision to bring in Couric as his replacement to anchor The CBS Evening News represented a desire "to dumb it down, tart it up". He may well have a point. The old world that Rather represents is long gone. I once met him in his cosy, windowless office just off the main CBS newsroom on West 57th Street in New York. His room was furnished like a gentleman's club, all dark wood and leather armchairs while an aromatic candle burnt near by. At a minute to six, he walked the 10 or so steps to his anchor's chair where he delivered the news straight in an east Texas drawl.

For a time he finished every broadcast with the word "Courage" until the mockery got too much. Then on his final CBS Evening News broadcast, he signed off for the last time with "Courage", linking it to the attacks of 11 September 2001 and the courage of his fellow journalists in reporting the news.

This is not a characteristic readily associated with the newest crop of TV anchors. With his prematurely grey head of hair and steel blue eyes, the newest star, Anderson Cooper, gazes from the cover of June's issue of Vanity Fair magazine. No bad dye jobs for the man People magazine has named one of the "sexiest men alive". "I don't get the appeal," he protests, "I am pale and skinny with grey hair".

What CNN is doing, says the media critic Neal Gabler, is to turn the news into a backdrop for its handsome young star. Whether he is in Baghdad, London or Sri Lanka "these are locations for the movies in which Cooper plays, effectively foregrounding the anchor while back grounding the news," says Gabler.

Young people find news a turn- off, the thinking goes, but they love celebrities, and Cooper is fast being made into an international celebrity. He pops up on Oprah, the The Daily Show, and Jay Leno's Tonight Show. There are billboards in virtually every city where he looks out soulfully while advertising the channel's signature Anderson Cooper 360 degrees show. There is even an "Anderson for President" poster on sale as well as online gossip sites charting his every move. He is "a god among men" says one of his blogger fans.

One of the low points of his career, as far as his critics are concerned, was a Mother's Day segment in which he interviewed his own mother, saying afterwards: "How many anchors would have their mother on the programme?" When Cooper showed up in the "spin room" after a recent presidential debate in New Hampshire, he caused as much interest as some of the presidential candidates.

Then there is the added frisson of the sexual orientation of the pin-up newsman who has just turned 40. He won't talk about it, but everyone seems to have an opinion as to whether he is actually America's first gay anchor. "Absolutely," is the answer I received in an unscientific straw poll.

What is certain is that Cooper reflects the rapidly changing world of US television news in which the highly paid anchors are really aggressively marketed stars, who may or may not have a background in journalism. Take Lauren Jones, the star of Fox's upcoming reality TV show Anchorwoman. The bikini model's previous assignment was as "eye candy" for the World Wrestling Entertainment channel where she conducted backstage interviews and made eye-popping announcements in the testosterone-charged ring.

She has a total lack of journalism experience, but has been assigned to a local Texas TV station to report the news. The juiciest of her on-air clashes with the station's journalists will then be broadcast nationally in the show Anchorwoman.

Jones has been reporting for KYTX for about a week now and the station's competitors are already up in arms. "What they're doing is making a mockery of every legitimate local news station in the country, the people that work there and the viewers whose trust they and we, as an industry, try to earn every day," said Brad Streit, of KLTV-TV.

The reality is that they are terrified by their own plummeting ratings and are probably scouring the cable channels for their own eye candy. In the old days the news networks saw their role as keeping a sharp check on the rich and powerful and their anchors had enough gravitas and credibility to be trusted by the nation. Walter Cronkite was famously the conscience of the nation, who reported from London at the height of the Second World War and stiffened the spine of Americans who might have preferred to sit that one out.

Those who followed him, Tom Brokaw, Dan Rather and the late Peter Jennings were newsmen who had earned their spot in front of the teleprompter by covering wars and White House scandals. Though much mocked towards the end of his career, the folksy Rather was known for a long time as "the most trusted man in America". He earned his spurs reporting on the Kennedy assassination, and he also covered the Vietnam War. As the CBS White House correspondent during Watergate, he had the nation on the edge of its chairs with his hostile confrontations with President Nixon. Only then was he allowed to sit in the anchor's chair. Tom Brokaw and Peter Jennings were also experienced newsmen as well as TV hunks. Brokaw worked in local television all over the country and Jennings, with his good looks and baritone voice, was dispatched to the Middle East where he was a reporter for seven years.

The network news shows still attract a bigger audience each evening than any other regularly scheduled programme on TV. And when a big story breaks, Americans turn in droves to their nightly news anchors. However, the big newscasts actually lost about 40 per cent of their audience between 1981 and 2001.

Where it all went wrong is much debated, but the news channels are acutely aware that almost nobody young is watching the news networks any more. The average age of viewers for ABC and NBC is around 60 and on CBS - even with Katie Couric replacing Dan Rather on the screen, it is just over 60. The cable networks CNN and Fox are much the same.

And with the death of the old-style news anchor comes the rise of the celebrity anchor and the TV executives' hope that the new stars of news "start throwing off heat" and bring the viewers back again.

Mirthala Salinas: Reporter and the Mayor

At 4 pm on 8 June, the Mayor of Los Angeles Antonio Villaraigosa issued a terse statement announcing that he and his wife, Corina, were separating after 20 years of marriage. Two hours later, the Telemundo anchor Mirthala Salinas delivered the bombshell to her Spanish-language viewers on the evening news. "The rumours were true," she declared, introducing the story as a "political scandal" that had left "many people with their mouth open".

What Salinas, 35, did not reveal was that she was the cause of the split. She and the 54-year-old Mayor had been conducting a relationship since she was a political reporter. The affair has been an open secret around LA's city hall for weeks and Mr Villaraigosa officially confirmed it this week.

The anchor issued a statement afterwards: "I first got to know the Mayor at a professional level, where we went on to become friends," she said.

Salinas said she hoped "everyone can understand and respect my desire to maintain my privacy".

Kyra Phillips: The Bathroom Indiscretions

On 30 October, "audio difficulties" left viewers across the US watching President George Bush give a speech, while listening to Kyra Phillips' candid bathroom chat with a colleague. The mishap, dubbed "Kyra Phillips, live from a bathroom near you", was recently voted the funniest YouTube video of all time.

During the 90-second conversation, which interrupted the President's speech to mark the anniversary of Hurricane Katrina, Phillips could clearly be heard extolling her husband's virtues, before calling her sister-in-law a "control freak".

Oblivious to the millions of CNN viewers listening to her conversation, the 38-year-old newsreader waxed lyrical on the subject of men, gushing: "I'm

very lucky. My husband is handsome, loving... passionate, compassionate, great, great human being. They're hard to find. Yup. But they are out there."

A zipper was then heard being undone, with Phillips spared further indignity when an unknown woman interrupted her, insisting: "Your mic is on. Turn it off. It's been on the air."

Mika Brzezinski, MSNBC's Morning Joe: The Angry Presenter

One US television news anchor has become an icon for many by refusing to begin a news bulletin with the release of the celebrity heiress Paris Hilton ahead of news from Iraq.

With undisguised anger, the co-host on MSNBC's Morning Joe programme Mika Brzezinski refused to read the script she was handed, grabbed a cigarette lighter and tried to set it on fire onscreen and eventually crumpled it up in a ball.

"No, I hate this story and I don't think it should be our lead," said Ms Brzezinski, the daughter of Zbigniew Brzezinski, who was National Security Adviser under the former President Jimmy Carter. The first time the story came up, Ms Brzezinski refused to read it.

When it came up again at the top of the next bulletin she took a fellow anchor's cigarette lighter and tried unsuccessfully to burn the script. The third time around, she took the script and fed it into a paper shredder.